Do reviews influence box office performances for superhero franchises?
The three most regarded movie ratings are:
- The TOMATOMETER is the percentage of “Approved Tomatometer Critics” who have given the movie a positive review. The site RottenTomatoes.com also features an Audience Score, percentage of users who have rated the movie 3.5 stars or higher, although its influence is generally taken less into consideration.
Continue reading “#Reviews and #BoxOffice performance of recent #superhero #movies”
The Chinese box-office is up by 21% in the first 6 months of 2016 compared to the same period of last year when it amounted $3.22B. Last year it surged by 49% to $6.78B for the year.
So, are Chinese movie tickets sales slowing down?
It should be taken into account that in the first 6 months of last year Furious 7, Avengers: Age of Ultron, and Jurassic World, which together grossed $860M were released, whereas this year the top 3 Hollywood releases, Zootopia, Warcraft, and Captain America: Civil War grossed $647M . Continue reading “Is China slowing down?”
Best Motion Picture, Drama
Carol (The Weinstein Company) | $7,004,358 + $8,402,177 | N/A
Mad Max: Fury Road (Warner Bros.) | $153,636,354 + $222,200,200 | $150M
WINNER: The Revenant (Fox) | $41,383,741 + $20,487,466 | $135M
Room (A24) | $5,166,724 + N/A | N/A
Spotlight (Open Road) | $28,546,477 + $309,218 | N/A
‘The Revenant’ won the award and opened strongly, but the outsiders ‘Room’, ‘Carol’ and partly ‘Spotlight’, for some the most important movie of this batch but a difficult one, will hopefully gain stronger market traction in home video windows thanks to the visibility provided by the Golden Globes. Continue reading “#GoldenGlobes and the box office”
Greg (Thomas Mann), a high school senior who is trying to blend in anonymously, avoids deeper relationships as a survival strategy for navigating the social minefield that is teenage life. He even describes his constant companion Earl (RJ Cyler), with whom he makes short film parodies of classic movies, as more of a ‘co-worker’ than a best friend. But when Greg’s mom (Connie Britton) insists he spend time with Rachel (Olivia Cooke) – a girl in his class who has just been diagnosed with cancer – he slowly discovers how worthwhile the true bonds of friendship can be.
Me & Earl & the Dying Girl is an upcoming American comedy-drama film, rated PG-13, directed by Alfonso Gomez-Rejon (Glee, American Horror Story) and written by Jesse Andrews, based on Andrews’ 2012 debut novel of the same name, which sold more than 7 million copies. It stars Thomas Mann, Olivia Cooke (Ouija) and Jon Bernthal (Fury, The Wolf of Wall Street, The Walking Dead) and premiered at the 2015 Sundance Film Festival to a standing ovation (http://variety.com/2015/film/festivals/sundance-film-review-me-and-earl-and-the-dying-girl-1201414455/). The production budget was about $5.6 million. Continue reading “Me and Earl and the Dying Girl, sleeper film for this Summer”
According to the annual Theatrical Market Statistics Report for 2014 by the Motion Picture Association of America, Inc. (MPAA) released yesterday, the global box office increased by 1% to a new record of $36.4 billion. Domestic (U.S./Canada) dropped by 5% at $10.4 billion. The Asia Pacific region was up by 12% overall, whereas China’s total of $4.8 billion (first international market to exceed $4 billion) was up a huge 34%, which alone improved the combined global total. Latin America box office increased 2% (but is up 46% from 2010) to $3 billion, Europe, Middle East & Africa (EMEA) decreased 3% ($10.9 to $10.6 billion) from 2013, due to decreases in larger European markets such as Germany (-7%) and the U.K. (-1%).
Continue reading “Global box office inflated by Chinese wind, US suffering”